| SIZE |
23.39 x 33.11 inches, 60 x 40 inches |
|---|
La Salvadora - The Savior
$ 3,836.11 – $ 6,184.21
Pool Of Affirmations ii
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Heavy Is The Head That Carries The Crown
$ 3,836.11 – $ 6,184.21
The image depicts a lady carrying a crown made from calabash and adorned with horns. The symbolism of the crown conveys power, authority, and leadership.
The calabash, often associated with abundance, nourishment, and sustenance, signifies the resources and responsibilities that come with leadership.
The horns attached to the crown represents strength, protection, and the ability to defend oneself especially in situations or obstacles when having position or power.
The piece explores the complexities and sacrifices that accompany positions of power and authority. It highlights the notion that leadership can be demanding, burdensome, and require constant attention.
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Hathor
The piece was inspired by the Egyptian goddess Hathor. The image of a woman who is half-nude and holding a skull of a cow with large horns is a powerful visual representation of the goddess.
In ancient Egyptian mythology, Hathor was the goddess of love, beauty, joy, and fertility. She was often depicted as a cow, with large horns that symbolized her power and strength. The skull of the cow in my work represents the goddess's association with death and rebirth, as well as her role as a protector of the dead.
The piece captures the essence of the Egyptian goddess Hathor and pays homage to her powerful and complex symbolism.
Yasuke ii
The piece a visual tribute to Yasuke but also an exploration of the complex relationships between cultures and the transformative power of acceptance and recognition.
Yasuke was a black warrior who reached the rank of samurai under the rule of Oda Nobunaga - a powerful 16th Century Japanese feudal lord who was the first of the three unifiers of Japan.
When Nobunaga bestowed the rank of samurai on Yasuke the idea of a non-Japanese samurai was something unheard of.
As the first foreign-born samurai, Yasuke fought important battles alongside Oda Nobunaga.
Cow Boy v
This piece was inspired by how cowboys, also referred to as headsmen in various parts of Africa, are categorized as violent and aggressive individuals and are often subjected to various negative stereotypes in African societies.
While it’s true that some cowboys engage in violence, the vast majority are hardworking, peaceful men who simply want to provide for their families and communities. These men are often the backbone of their society, and deserve to be celebrated and respected.
Bird Boy i
The piece is centered around a young boy who has a special connection with birds. The boy can be seen holding a dove and having another perched on his head which creates a sense of innocence and purity, as if the boy is at peace with the natural world around him.
The use of a young boy as the subject of the piece symbolizes the idea of youth and innocence, and the importance of preserving these qualities in a world that can sometimes be harsh and unforgiving. The image of the birds represents freedom, beauty, and the untamed spirit of nature.
You Look Okay
The piece suggests a sense of introspection. The window acts as a barrier or a boundary between the lady and the outside world, symbolizing her internal thoughts and emotions. The moodiness in her expression indicates a state of melancholy and reflection.
It invites viewers to contemplate themes of solitude, introspection, emotional contrast, and the potential for personal growth amidst challenging circumstances.
Dream
The piece is representation of a dream or a subconscious thought and creates a sense of vulnerability, as the person is surrounded by water and seemingly unable to escape. The hands coming out of the water to drown the person represents a sense of danger or threat, as if the person is being pulled under by unseen forces.
The sinking chair represents a loss of stability and creates a sense of unease and tension that draws the viewer in and encourages them to reflect on their own fears and anxieties.
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